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Liner notes booklet featuring an essay by critic Nick Pinkerton and a 1959.Trailer, featuring on-set footage (4:50).Behind-the-scenes photographs by Life magazine’s Gjon Mili.Excerpts from the work in progress Anatomy of “Anatomy” (30:11).Excerpts from a 1967 episode of Firing Line, featuring Preminger inĭiscussion with William F.Preminger with Bass biographer Pat Kirkham (14:53) A look at the relationship between graphic designer Saul Bass and.Critic Gary Giddins explores Duke Ellington’s score in a new interview.New interview with Otto Preminger biographer Foster Hirsch (29:45).Studio: Columbia/Tri-star Studios - Region 2/4 Studio: Columbia/Tri-star Studios - Region 1 Subtitles: Arabic, Bulgarian, Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hebrew, Hindi, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish and Turkish. Spanish, Chinese, Korean, Portuguese, Thai and none LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit (Dolby Digital 1.0 Stereo), DUBS: French (Dolby Digital 1.0 Stereo),ģ560 kbps 5.1 / 48 kHz / 3560 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / (Dolby Digital 1.0 Mono), French DUB (Dolby Digital 1.0 Mono), Spanish DUB The Vertical axis represents the bits transferred per second. Original Theatrical aspect ratio - 16X9 enhanced Joseph Welch, who plays the judge, was theįamed Army-McCarthy hearings lawyer who would go on to become a real life judge. Project (actress reportedly slapped director who slapped her back) and Jayne The casting of Remick was Preminger's major concern after Lana Turner left the Stud and Remick as his duplicitous, sluttish wife received well-deserved career Support the star performance in a talky tennis game. Performance as a confirmed bachelor defense attorney speaking directly aboutĬontraceptives, pink panties and rape. Stewart shocked 1950s audiences with his gritty, quirky
#Saul bass anatomy of a murder movie
Movie landmark, nominated for seven Oscars, including best picture.Ĭourtroom histrionics given sizzle and sex by Otto Preminger and DukeĮllington's jazz. Influential score by Duke Ellington, Anatomy of a Murder is an American Prosecutor and the legendary attorney Joseph N. More than anything else, it is a striking depiction of the power of words.įeaturing an outstanding supporting cast-with a young George C. Preminger, was groundbreaking for the frankness of its discussion of sex-but Gripping envelope-pusher, the most popular film by Hollywood provocateur Otto Murdering a local tavern owner who he believes raped his wife (Lee Remick). Virtuoso James Stewart plays a small-town Michigan lawyer who takes on aĭifficult case: the defense of a young army lieutenant (Ben Gazzara) accused of That’s my intent.Edition of Anatomy of a Murder is reviewed HERE Bass said, “I want to make beautiful things, even if nobody cares, as opposed to ugly things. For Scorsese, Elaine and Saul Bass created title sequences for Goodfellas, his remake of Cape Fear, The Age of Innocence, and Casino, their last title sequence. Brooks and Martin Scorsese, who urged the Basses to return to main title design. Toward the end of his career, Saul Bass was “rediscovered” by James L. In 1955, his wife Elaine Bass (née Makatura) joined Saul Bass & Associates, and after 1960, much of Saul Bass’s title design and film work was done in collaboration with Elaine. He created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, United Airlines, Quaker Oats, and Minolta. Saul Bass was equally known for his work in corporate branding. In the movie Man With the Golden Arm, Art Goodman’s crippled arm was the model.”
#Saul bass anatomy of a murder cracked
Dave was a master lettering artist, and most of the comps were done by him while Art Goodman cracked the whip. Robert Trogman, a typographer who has first hand knowledge about the process, says “I worked with Saul Bass for two and a half years along with with Art Goodman and his assistant Dave Nagata.
#Saul bass anatomy of a murder series
His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock’s Vertigo and Otto Preminger’s The Man With The Golden Arm and Anatomy of a Murder.Īlthough Bass was creative director and designer of all these pieces, he did not do most of the lettering. He designed movie titles, trailers, and posters for more than 40 movies. Although he designed many iconic logos – many still in use – he is most known for his title sequences and related materials.
Saul Bass (1920 – 1996) was an American graphic designer and movie title sequence designer whose innovative approach virtually transformed the entire genre in the 1950s. Mention movie titles to any designer in the know, and undoubtedly the name Saul Bass will come up.
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